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Pattern language, form language, general systems theory, R-theory

One of the challenges with the development of pattern languages is the cross-appropriation of approaches of techniques from one domain (i.e. built physical environments) into others (e.g. software development, social change).

The distinction between pattern language and form language is made by Nikos Salingaros.

Design in architecture and urbanism is guided by two distinct complementary languages: a pattern language, and a form language.

The pattern language contains rules for how human beings interact with built forms — a pattern language codifies practical solutions developed over millennia, which are appropriate to local customs, society, and climate.

A form language, on the other hand, consists of geometrical rules for putting matter together. It is visual and tectonic, traditionally arising from available materials and their human uses rather than from images. Different form languages correspond to different architectural traditions, or styles. The problem is that not all form languages are adaptive to human sensibilities. Those that are not adaptive can never connect to a pattern language. Every adaptive design method combines a pattern language with a viable form language, otherwise it inevitably creates alien environments.  [Salingaros, 2014]

The focus on form is apparent in the title of Notes on the Synthesis of Form [Alexander, 1964].  Form has geometry, that brings up the idea of “life” in The Nature of Order.

Chapter Five:  Fifteen Fundamental Properties

I have introduced the idea of life as something which may occur in any spatial system, and suggested that a degree of life which appears in a thing depends on the life its component centers and their density. 

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One of the challenges with the development of pattern languages is the cross-appropriation of approaches of techniques from one domain (i.e. built physical environments) into others (e.g. software development, social change).

The distinction between pattern language and form language is made by Nikos Salingaros.

Design in architecture and urbanism is guided by two distinct complementary languages: a pattern language, and a form language.

The pattern language contains rules for how human beings interact with built forms — a pattern language codifies practical solutions developed over millennia, which are appropriate to local customs, society, and climate.

A form language, on the other hand, consists of geometrical rules for putting matter together. It is visual and tectonic, traditionally arising from available materials and their human uses rather than from images. Different form languages correspond to different architectural traditions, or styles. The problem is that not all form languages are adaptive to human sensibilities. Those that are not adaptive can never connect to a pattern language. Every adaptive design method combines a pattern language with a viable form language, otherwise it inevitably creates alien environments.  [Salingaros, 2014]

The focus on form is apparent in the title of Notes on the Synthesis of Form [Alexander, 1964].  Form has geometry, that brings up the idea of “life” in The Nature of Order.

Chapter Five:  Fifteen Fundamental Properties

I have introduced the idea of life as something which may occur in any spatial system, and suggested that a degree of life which appears in a thing depends on the life its component centers and their density. 

Read more (in a new tab)
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