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From Flickr to Piwigo

As an alternative to relying on Flickr as my photo-sharing site, a migration to self-hosting Piwigo took less than 2 hours.  With the web-sharing functions of Flickr having remained stable for the past few years, I’ve discovered that Piwigo has all of the features that I need for Creative Commons sharing of my one-photo-per-day habit.

For some years, my larger private photo archives have been on self-hosted Zenphoto sites.  In 2013, the quality improvement on my smartphone cameras led me to change my practice of large-batch photographic essays, in favour of sharing more frequent (i.e. daily) images.  I had admired Flickr for their progressive licensing whereby community members could easily declare Creative Commons.  Further, even at the level of free accounts up to 1TB, their FAQ said (as memorialized from August 2013 on the Internet Archive):

Are my photos every deleted? No, your photos will not be deleted, unless you do it yourself, or fail to play by our Community Guidelines.

Are my photos ever deleted?

Not, your photos will not be deleted, unless you do it yourself, or fail to play by our Community Guidelines.

If I started with the a free account on Flickr, and reached the limit where a Pro Account was needed, I wouldn’t begrudge paying for the service.  My understanding was that if I stepped back down to an free account, not all photos would be directly accessible, but the images wouldn’t be deleted (as described in “Your photos and data on Flickr” | Zach Sheppard | May 26, 2011:

As an alternative to relying on Flickr as my photo-sharing site, a migration to self-hosting Piwigo took less than 2 hours.  With the web-sharing functions of Flickr having remained stable for the past few years, I’ve discovered that Piwigo has all of the features that I need for Creative Commons sharing of my one-photo-per-day habit.

For some years, my larger private photo archives have been on self-hosted Zenphoto sites.  In 2013, the quality improvement on my smartphone cameras led me to change my practice of large-batch photographic essays, in favour of sharing more frequent (i.e. daily) images.  I had admired Flickr for their progressive licensing whereby community members could easily declare Creative Commons.  Further, even at the level of free accounts up to 1TB, their FAQ said (as memorialized from August 2013 on the Internet Archive):

Are my photos every deleted? No, your photos will not be deleted, unless you do it yourself, or fail to play by our Community Guidelines.

Are my photos ever deleted?

Not, your photos will not be deleted, unless you do it yourself, or fail to play by our Community Guidelines.

If I started with the a free account on Flickr, and reached the limit where a Pro Account was needed, I wouldn’t begrudge paying for the service.  My understanding was that if I stepped back down to an free account, not all photos would be directly accessible, but the images wouldn’t be deleted (as described in “Your photos and data on Flickr” | Zach Sheppard | May 26, 2011:

Digital photos: capturing, archiving, printing, web sharing, photoblogging

Digital cameras have become so common that they’re often now a feature in mobile phones and audio players.  Pressing a button to capture a snapshot of time is so easy.  The workflow of storing, printing and sharing those images is complicated.  Many would like to return to the days when we would just take the film cartridge out of the camera, and drop it to a photo lab for processing (often in about an hour).

People take more photographs digitally than they did with film cameras.  In a six-month study in 2000, when digital cameras were relatively uncommon, subjects (aged 24 to 38) took 200 to 1000 (with an average about 500) photographs, compared to their prior non-digital accumulated collection of 300 to 3000 (with an average of about 1000) pictures (Rodden & Wood 2003).  This means that when digital cameras were relatively expensive — and camera phones didn’t yet exist — people were averaging about 1 to 5 photos per day!

People presumably use cameras because they want to be able to retrieve the images later.  In a study of 18 parents, the value of long-retrieval of family pictures was high (i.e. around 4.7 on a scale of 5).  On experiments of 71 retrieval tasks — finding birthdays, family trips, first pictures of a child, etc. — 61% were successful, taking about 2.5 minutes each.  On the 39% of unsuccessful retrievals, subjects gave up after about 4 minutes  (Whittaker et al. 2010).  This effectively means that, on average, nearly 40% of the digital photos taken last year are lost, and considerable persistence is needed for them to be refound.

I. What activities, platforms and artifacts are involved with managing digital photos?

Digitalization in photography has replaced trips to the photo lab with the copying of electronic files.  Industry standards have stabilized so that image files can be readily copied from cameras to personal computing devices, and onto web servers.  Here’s a diagram of some of the activities, platforms and artifacts in digital photography.

digital_photo_workflow

Based on this diagram, let me (a) pose some questions for reflection on the choices we implicitly make about managing photos, (b) outline some popular alternatives, and (c) describe the way I do it, myself.

II. What type of photographer am I?

Digital cameras have become so common that they’re often now a feature in mobile phones and audio players.  Pressing a button to capture a snapshot of time is so easy.  The workflow of storing, printing and sharing those images is complicated.  Many would like to return to the days when we would just take the film cartridge out of the camera, and drop it to a photo lab for processing (often in about an hour).

People take more photographs digitally than they did with film cameras.  In a six-month study in 2000, when digital cameras were relatively uncommon, subjects (aged 24 to 38) took 200 to 1000 (with an average about 500) photographs, compared to their prior non-digital accumulated collection of 300 to 3000 (with an average of about 1000) pictures (Rodden & Wood 2003).  This means that when digital cameras were relatively expensive — and camera phones didn’t yet exist — people were averaging about 1 to 5 photos per day!

People presumably use cameras because they want to be able to retrieve the images later.  In a study of 18 parents, the value of long-retrieval of family pictures was high (i.e. around 4.7 on a scale of 5).  On experiments of 71 retrieval tasks — finding birthdays, family trips, first pictures of a child, etc. — 61% were successful, taking about 2.5 minutes each.  On the 39% of unsuccessful retrievals, subjects gave up after about 4 minutes  (Whittaker et al. 2010).  This effectively means that, on average, nearly 40% of the digital photos taken last year are lost, and considerable persistence is needed for them to be refound.

I. What activities, platforms and artifacts are involved with managing digital photos?

Digitalization in photography has replaced trips to the photo lab with the copying of electronic files.  Industry standards have stabilized so that image files can be readily copied from cameras to personal computing devices, and onto web servers.  Here’s a diagram of some of the activities, platforms and artifacts in digital photography.

digital_photo_workflow

Based on this diagram, let me (a) pose some questions for reflection on the choices we implicitly make about managing photos, (b) outline some popular alternatives, and (c) describe the way I do it, myself.

II. What type of photographer am I?

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    • New status by daviding August 16, 2019
      Web video of presentation of Evolving Pattern language towards an Affordance Language, 2018, on week visiting#RaphaelArar and #JimSpohrer at Almaden. Insider's history of science and prospects http://coevolving.com/blogs/index.php/archive/evolving-pattern-language-towards-an-affordance-language-almaden-2018-05-09/#systemsthinking #patternlanguage
    • New status by daviding August 12, 2019
      Web videos of keynote presentation "Innovation Learning for Sustainability: What's smarter for urban systems" for 2018 International Conference on Smart Cities and Design (SCUD) in Wuhan. http://coevolving.com/blogs/index.php/archive/innovation-learning-for-sustainability-scud-2018-04-21/
    • New status by daviding August 11, 2019
      Web videos of lecture "Architecting for Wicked Messes: Towards an affordance language for service systems" #OCADU_SFI 2018, two sessions for @redesign and #JeremyBowes. One slide set, two slightly different talks on my research to that point. http://coevolving.com/blogs/index.php/archive/architecting-for-wicked-messes/ #systemsthinking #patternlanguage
    • New status by daviding August 9, 2019
      Extreme weather conditions could lead to disruption in regional food supplies, says an IPCC report published in August 2018.> It is projected that for every degree of global warming, the world's yield of wheat will fall six per cent, corn by 7.4 per cent, and rice and soybeans both by a little more than three […]
    • New status by daviding July 19, 2019
      While we should be satisfied with "making do", we should also appreciate that it's human nature to be (sometimes) frivolous. > Making do is a deeply pragmatic philosophy. It means asking of our things the only question we should ever ask of them: “Can you fulfill your intended use for me?” [....] Taken literally, it […]
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